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Home›Politics›The Storm of an American Gridlock

The Storm of an American Gridlock

By Rachel Du Mont-Greenlee
May 30, 2022
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An hour glass to indicate the passing of time.
Nile / Pixabay

The world stands still. Always for a moment. Father Time reckons with mortality. Cries for reform echo across Mother Earth, words like ripples mature into swells. A wave of change comes swooshing, rolling in like the rush of a tide. Awash the old for golden grains of new. Promise on the horizon. Hope is the sparkle from the deep brought to the surface.

Clouds, centers dark, all strange fluff, purchase the skies. The blue recedes. Above front-gazing heads wages an epic battle of squalls and roars. Language unfamiliar trickles down to the soil. A damp interpretation of a flood much larger. Hope is the eye of an unforgiving spiral.

Truth leeches into sod, absorbed by thirsty roots. Revolution, a nutrient for reaching limbs and thick bark. Trees sow seeds of a new dawn with a golden sky. No clouds for troubled slumbers. Early blooms. Ambitious. Tiny and mighty. Hope is the petal blush on the voyaged winds of change.

Bees sting, and pollens on the backs of winged creatures reach parts unknown and back again to the fields of blossom and the sweet honey of justice. Hope settles on lands of opportunity.

Gray vapors sweep in and hover low on young grasses. An infiltration of sunless dew. Stories of fiction in the ears of frail blades. Broken by the time they’re grown, sworn to a sky that acts committed to life but expects death. Hope is the ache filling the empty pit.

Bolts of yellow flash. Hollow songs of crisis follow. A wail for change. Whispers of prayer on the lips of front-facing heads. For every vein of wrath, borne another statistic. A number on the count. Stunted in Father Time. Gone from Mother Earth. Hope dies with the fallen. The world stands still. Always for a moment.

TagsAmerican GridlockPolitical Gridlockgun controlAmerican StormCoffee House Writersfictioncreative writingFlash FictionPoliticsAmerican Politics
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Rachel Du Mont-Greenlee

As an antiquarian, Rachel Du Mont-Greenlee grew up knowing she’d incorporate history into her career, studying ancient civilizations and the physical, cerebral, and social jewels they left behind. During her studies at California Polytechnic State University, San Luis Obispo, where Du Mont-Greenlee earned her bachelor’s degree in City and Regional Planning, Du Mont- Greenlee realized her passion for architecture and urban forms, physical spaces that bridge cultures and enable sociality. After working several years in public and private sector urban planning, Du Mont-Greenlee returned to academia, earning her master’s degree in Social Anthropology from Goldsmiths College, University of London. At Goldsmiths, she wrote anthropological ethnographies including the following topics: how sense of place authenticity relays to mental experiences in restaurants, and an auto-ethnographic piece on the South Orange County suburbs that moves between architecture and people and sets an analogy between the making of homes and the making of housewives, informed by classic feminist theory. To better understand the politics of place, place authenticity, historical remembrance through spatial awareness, and architecture’s construction of sociality, she spent a year and a half researching urban trends during the coronavirus pandemic in London, England. Du Mont- Greenlee compared her social findings that society underwent gentrification of the mind amid the pandemic to the gentrification of urban places, including Shoreditch, London. In doing so, she found that anything—even longstanding architectural bastions once revered for their ingenuity could be erased or forgotten. Much like the books of old burned for their revolutionary messages. While not sculpted from brick and mortar or concrete or wood, the written word weathers time as do the architectural wonders of the world. Both are fragile, capable of crumbling in a moment, but both transcend time and remind humankind of history. Touched equally by the lives of collapsed civilizations as those breathing alongside her today, Du Mont-Greenlee believes the marvels humans create reflect the soul of humankind. These ideas inspire the non-fiction articles she writes for Coffee House Writers and her fiction manuscript Edge of Worlds.

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